writing

London Ukrainian Review

I have edited the special publication of the Ukrainian Institute London, London Ukrainian Review, dedicated to the thirtieth anniversary of the referendum on the Act of Declaration of Independence of Ukraine.

Ukraine: 30 Years Young [editorial] (1 December 2021)

Los Angeles Review of Books

Ukraine at 30, Part II: An Abundance of Emptiness (2021)

Subverting the Canon of Patriarchy: Lesya Ukrainka’s Revisionist Mythmaking (2021)

British library european studies Blog

Lesia Ukrainka at 150: A journey through the British Library collections: Part I (2021)

Lesia Ukrainka at 150: A journey through the British Library collections: Part II (2021)

The 'Artist Maks': The Ukrainian Disciple of Aubrey Beardsley (2018)

The Ecologist

Where the wind blows: on the living legacy of Chernobyl (2019)

Can the crisis of food waste be solved with an iPhone app - or is Too Good To Go too good to be true? (2018)

The future of ownership: reduce, reuse… rent out? (2018)

19: Interdisciplinary Studies in the Long Nineteenth Century

Review of Aubrey Beardsley at Tate Britain (2020)

Hong Kong Review of Books

Review of Serhii Plokhy's Chernobyl: History of a Tragedy (2019)

Resurgence & Ecologist

Where the wind blows (2019)

Oxonian Review

Europa On Trial? (2017)

Other Blogs

The Rimbaud and Verlaine Foundation: Ballet with Beardsley (2021)

Birkbeck English: Depicting Donbas: Creative and Critical Responses to the War in Ukraine (2019)

Centre for Nineteenth-Century Studies: The Eve of St Aubrey: Re†Collecting Beardsley (1872-1898): Conference Blog (2018)

I am also passionate about translation (Ukrainian-Russian-English).

For recent examples, see the subtitles for the series of short films 10 Things Everyone Should Know about Ukraine, produced by the Ukrainian Institute London, or the Ukrainian lines in Alexandra Wood’s play Descent, available on Audible.